I have never been formally trained in the academic frameworks commonly used in creative strategy, brand strategy, or structured planning.
I don't claim to be.
Most of the time, I simply look at the problem, understand what is needed, think about the people experiencing it, and try to find the best way to make it work.
Only later did I discover that some of the things I naturally do have formal names.
I actually prefer it this way. It gives me room to think rather than forcing every project into a predefined process.
I ask:
Then I start figuring out how to make that happen. The process is not always neat. But the result needs to be.
I see an event much like a film. A director has a story. There is an audience. There is something worth saying. And every element exists for a reason.
None of them should exist simply because "this is how events are usually done." They should contribute to the experience.
What do I want the audience to take away when they leave?
My involvement in events started long before my current career. I was a Co-founder & COO of Top Event and later Co-founder & COO of Share – Events & Marketing Services. I participated in organizing more than 20 conferences, seminars and meetings.
These experiences gave me something that is difficult to learn from a textbook: what actually happens when an idea meets people, logistics, time, limited resources and reality.
Being part of the founding team meant dealing with an event where the experience and the ideas themselves were inseparable. The challenge was not simply organizing a gathering — it was creating an environment where ideas, speakers, audience and communication worked together.
Focus: Event organization · coordination · experience · communication
A medical professional conference requiring coordination between the scientific side, participants, communication and the practical requirements of execution. My role combined organization and public relations.
Looking at the event from both the operational side and the audience/stakeholder side.
The objective was not simply attendance. The event had to connect people with opportunities. That meant thinking about communication, participants, organization, movement and the overall experience.
An event is only as good as the connection it creates.
My interest in creating experiences did not stop at live events. Between 2014 and 2019, I worked as a Media Production Freelancer.
This experience strengthened the way I think about visual storytelling, production and directing. I became interested not only in what is being produced, but in why each element exists and how all the elements work together to communicate something.
My career later moved into operations and business management. At the Cardiac Catheterization Unit where I currently work, I became responsible for financial, procurement, inventory and operational management.
That may look unrelated to creativity. To me, it isn't.
I have built internal systems, dashboards, KPI tools and reporting solutions from scratch because I saw problems that needed solving. Some of these projects were created with no software budget and built using tools already available.
The same instinct exists in my creative work:
"I can think about the audience, the idea, the execution and what could go wrong."
"I don't consider myself a finished creative strategist."
I consider myself a person who has spent years observing, experimenting, organizing, creating and solving problems in very different environments.